2 Corinthians.5

Give your developing orchestra a chance to explore jazz and blues with this creative original work. Written in twelve-bar blues form and using notes based on the blues scale, musicians will get great

Feature your top player on this famous American tune! The first time through, the soloist takes the lead accompanied by some pizzicato and the occasional foot stomp. The second time through, first violins

This lively work for violin with string accompaniment offers the soloist an opportunity to be technically challenged as well as melodically expressive. The listener will enjoy the rhythmic

Opening with a haunting ostinato passage, the music builds on this phrase to create an air of intensity and excitement until the very end. This unique piece imparts a sense of familiarity with its

mysterious and programmatic, this work uses motifs built on multiple compound meters written in ABCBA form, with the last two sections written as variants of the first two. 

Presented beautifully through heart-pounding grooves in the low basses and devilish contours in the melody with the movement of a tango. A variety of rhythms are reinforced along with sweeping

This work was written to help develop differing bow strokes like legato and staccato along with slurs, accents, bow lifts and trills. All parts have melody, while the textures and

Your orchestra will love the waves of texture changes with double-stops, pizzicato, accents, and many dynamic contrasts. Since all instruments get a turn at the helm, your students will go overboard with